The snow on Monday, I don’t know what’s that all about, it’s March already. Don't know how it's been affecting the festival season (which is spring, in case you haven't seen it's coming), but the Beijing leg of JUE Festival is well under its way. Presented by Split Works, the festival consists of art, cinema and music events across Beijing and Shanghai (see our interview with the organizers here and full event schedule here). On Friday night, JUE sees the appearances of American indie singer/instrumentalist St. Vincent at Yugong Yishan and Danish rockabilly group Dead Elvis & His One Man Grave at D-22. On the local side, things get more hardcore at Mao Livehouse, where TOOKOO, Bigger Bang! and The Reason rock on the northern end of Nanluogu Xiang - maybe you can hear them in YGYS, since St. Vincent's music is relatively quiet, maybe.

As the century turned, Beijing knew little of drum & bass. The Syndicate, a band of rowdy miscreants who dared to venture where none had gone before, changed that. Ahead of the crew’s sixth birthday party at White Rabbit on March 13 (RMB 50, 9pm), members Blackie and Slide tell us how they’ll up the ante in 2010.

the Beijinger: It’s been quiet on The Syndicate front for a few months. What’s been going on?
DJ Blackie: It really was a case of, in the wake of various movements and goings on in the Beijing nightlife scene, us pursuing various other projects for a short while. It’s also given us time to take stock and wait for the opportunity to hit the ground running. We’re super excited about where things are at in terms of clubs this year.

"I hate optimism out of insensitivity."
- Zuoxiao Zuzhou

For the past five years, this guy has been making headlines for pricing his albums from 30 kuai to 500 kuai. He’s also known for being a contemporary artist/poet/soundtrack composer working with Ai Weiwei and film director Jia Zhangke. Born in 1970, alternative rock singer-songwriter Zuoxiao Zuzhou (literally means “left-little-curse of the ancestors”) founded Beijing East Village with many avant-garde artists in early 90s, and their controversial artwork Adding a Meter to the Nameless Mountain (为无名山增高一米. See photo, below) shocked the Chinese art world in 1995. Meanwhile, ZXZZ's rock band "NO" released Trip to Temple Fair (庙会之旅) and The Missing Master (走失的主人). Both albums are filled with spacious guitar chords, tribal drum beats, sound experiments and volatile vocals, which scared many people for sure, but also gained him a loyal fan base.

Fubar boss Chad Lager thrives on schemes and promotions that seem like madness. He launched Cinco de Drinko at Saddle Cantina, giving away half-price drinks for a whole day on the 5th of every month. Later, after moving to Tun, he did the unthinkable and started a ladies' night on Fridays - in Beijing nightlife, this was the equivalent of declaring the world to be round in medieval times. Both ideas worked. Then Chad went off to open Fubar, a "speakeasy" cocktail bar priding itself on large pours, quality drinks and good prices. All very sensible. Were Chad's days of dreaming up insane promotions over?

For almost two decades, DJ Vadim has been DJing and producing some of the most innovative hip-hop and electronica around. He's worked solo, putting out records on the legendary Ninja Tune label as well as on his own BBE imprint. Vadim has collaborated with everyone from Stevie Wonder to Kraftwerk, from Paul Weller to Sly Stone. Even his wife, MC Yarah Bravo, is a regular collaborator, as Beijing will find out when Free the Wax bring the pair to perform at Yugong Yishan this Saturday.