Media Players: Luke Hansford, Jingweir

For our September Music Issue, we asked a selection of the city's music experts for their take on the current state of the 'scene' here in the capital. Now it's the turn of the city's media players. The figures that shape the city musically, their first hand insight provided some cause for optimism, and some sobering conclusions. First up, Luke Hansford of Jingweir.

When you started your blog/website, what did you think was missing?
What was missing was a physical publication covering music in this city. As much as I love reading blogs, websites, and other online sources of news, nothing quite beats a printed magazine. As the writer it also feels like a much bigger accomplishment when you have to go through the whole process of writing, designing, printing and distributing the magazine on your own.

Why do you find Chinese music so compelling to write about?
I find all music compelling, particularly local music. I’d be writing about music no matter where I was.

What's the best new act you've seen in the last 12 months?
Skip Skip Ben Ben, though I’m not sure if they are as new as the last 12 months. If not then The Planets.

What would you like to see for the future of Chinese music in five years time?
I would like bands to embrace the fact that China is, potentially, the largest music market in the world. Forget about your Pitchforks and Glastonburys and overseas record labels and whatnot, and focus on spreading the gospel of music throughout China. And if you want to tour overseas go to Japan or Southeast Asia or Australia. Some bands are already starting to realise this, so I think it might happen.

Why do you think it's difficult for Chinese acts to get international recognition?
I reckon that actively seeking out international recognition is a waste of time for any band. Good music rises above everything else.

Click here to see the September issue of the Beijinger in full.