If Workers' Gymnasium Was A Bar – Review of Bob Dylan Live in Beijing

It's commonly known that you can't predict a Dylan concert; apparently he's up and down all the time. Regarding the concert last night, if Dylan was the one to value, the only request I'd have would be playing more old songs rather than the ones written in the past decade. If Workers' Gymnasium was a bar, a place full of people simply there to have a good time and to appreciate the music, but not to witness history or the world's 8th wonder, it would have been the best night of the year.

Almost-70-year-old Dylan walked on the stage like he was in a bar, with his grey suited band playing leisurely like they were too. As a person who's only familiar with his old recordings and has never seen him play before, I'm amazed by how powerful his voice got. The raucity of his voice that I didn't like in his new recordings suddenly became a catalyst that empowered the older songs. He's certainly not that wild young man who didn't give a damn about anything anymore. On stage, he's a king of his own world who can treat an arena like a bar.

But it was not in a bar, even though the poor sound system was similar to one. And the venue was not full of people who would dance to the music. It was not even full. All the seats were taken, but the organizers decided to put the VIPs in a small square in front of the stage and leave most of the flat seating area open, making the whole place look kind of odd.

This was Bob Dylan's first concert in China after all; most Chinese people needed time to understand what they were getting. Plus the rearrangement Dylan did to the tunes made the songs even more unfamiliar to the audience. Except the routine clapping between songs, or some random whistle and applause when some one recognized a classic piece, the majority of the audience was put in silence for more than an hour.

The concert was like a 20 minute set with more than an hour of warm up. The passion finally started to expand and pass all around the arena when Dylan started to call "Mister Jones." “Ballad Of A Thin Man” traveled 45 years to the other end of the world and lit up a crowd so unfamiliar with it. If anyone was waiting for a moment, that was it.

Making that the last song was begging the audience to ask for an encore. What no one would expect when Dylan first came on stage was that the crowd made him come back, twice. After the first encore set of "Like A Rolling Stone" and "All Along The Watchtower," it was like the audience suddenly started to understand Dylan. The cheering for encore got even louder and much more dedicated the second time. When Dylan and his band, who already said goodbye to the fans, came back to the stage again, I'd be surprised if there were no tears among the audience.

Eventually, Bob Dylan's debut in China closed with his classic "Forever Young." There were ups and downs, just like a night out in a bar where there happens to be an amazing band.

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I went to see Faye Wong last october at Wukesong and the layout was the same. Faye had enough charisma to make me not care about it but I think a lot space was wasted and more people could have gone.

thenines wrote:
The Light wrote:
thenines - you sir are the only dumbass here.

So basically, what I really wanted to say was:
Go fuck yourself, douche.

No sense in harshing out on one another.

thenines, if you've been here for any length of time, you'll realize that it was an achievement to get a permit to do this show at all and we're all lucky it wasn't just cancelled arbitrarily.

Thank god he didn't pull a Bjork and set the chances of other big name foreign acts coming to Beijing back another 5-10 years

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The Light wrote:
thenines - you sir are the only dumbass here. the seating configuration is strictly controlled by the PSB - it is not negotiable by the promoter.

This promoter recently did The Eagles and other shows and are very well respected.

PSB controlled or not, that is a piss poor layout. It isn't a slight on the organisers, it's just fact.

If you enjoyed it and had a great time, good for you. And hearing through the grapevine, the majority that did attend, enjoyed it too.

Quite frankly, promoters should be embarrassed at having this venue as one of the approved places to hold concerts. It's their job to not settle for shit, and in turn, we'd be more willing to pay top dollar.

I know who the promoters are and their subsequent track record, 'very well respected' is not how I'd describe them.

So basically, what I really wanted to say was:
Go fuck yourself, douche.

Hi EV,

yes, those laser pointers were NOT necessary. EVERYONE was filming or photographing and they were targeting (trying to target) areas from which flashes were coming from - but eventually everyone in the line of fire had to fear for their eye sight. It was so random, just like the security checks. Either you do not allow cameras in, or you do, and accept that people will use them. A foreigner sitting beside me had an enormous lens on his DSLR but was able to take photos without a flash so was spared.

Someone posted an amateur video of Bob doing Rolling Stone on youtube but it was taken off a day later Sad

I was at the show and was also blasted in the eye with a green laser. I thought at first they were only targeting people with video cameras or who were obviously taking pictures - but I wasn't doing either.

Does anyone know what this was? They seemed to be coming from the far right and left of the auditorium. It seemed to stop about 1/2 way through the set though.

Otherwise I agree with songgirl. Yeah, the sound was awful... but man a chill went through me when he broke into Like a Rolling Stone.

Misconfigured sound system imho.... was the cowbell loud enough?

The Light wrote:
thenines - you sir are the only dumbass here. the seating configuration is strictly controlled by the PSB - it is not negotiable by the promoter.

Perhaps book venues without such a massive flat area so you won't need to negotiate.

I've seen shows in China where there didn't sell any VIP tix so there's a gaping hole at the very front centre of the crowd, and completely full all around it. Brilliant.

Click here and your wildest dreams will come true.

thenines - you sir are the only dumbass here. the seating configuration is strictly controlled by the PSB - it is not negotiable by the promoter.

This promoter recently did The Eagles and other shows and are very well respected.

great post, songgirl!

Quote:
it was like the audience suddenly started to understand Dylan

If we didn't understand Dylan, we would not have come; we had understood him all along, but this is China Wink

We also struggled with the estranging setup that was not made for a Dylan concert. Yes, it would have been the perfect night if it had been a bar but it was a government venue, the song list was repressed, and the audience was shot in the eyes with laser pointers.

So we took what we got and made the best out of it and because here, we measure "perfect" by other standards, it was an amazing experience after all. We do what we must do, and we do it well Smile

There was indeed a small young Chinese Dylan fan crowd who very much appreciated this concert but simply had their own way of quietly soaking it up. Anything else in these "sensitive times" and in such an overseeable crowd was simply not allowed.

This was not a usual gig, and it was good enough for us to just sit there and soak it up, admit boredom at times, guess lyrics at others, tap along to a tune while getting lost in our own Dylanesque thoughts, and simply enjoy this once-in-a-lifetime experience.

Having seen Dylan in Beijing makes this even more special, and we are still running on Dylanaline today.

I-m so happy
Well, that is one dumbass setup. Leaves the venue devoid of all atmosphere.

kopde wrote:
All the seats were taken, but the organizers decided to put the VIPs in a small square in front of the stage and leave most of the flat seating area open, making the whole place look kind of odd.

I think this is quite a common setup. Each time I've seen a foreign act at this venue, this has been the setup

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